With animal agriculture occupying roughly 45% of the world’s ice-free surface area, producing more greenhouse gases than cars, the prospect of meat consumption doubling by 2050 is awake-up call for solutions.The future may lie with “clean meat,”also referred to as“cell-based,”and “cultivated”meat–a food science that grows real meat from animal cells, without slaughtering animals.Meat the Future chronicles the birth of a revolutionary industry,and the mission to make it delicious, affordable and sustainable. Documented exclusively from 2016-2019, by award-winning filmmaker Liz Marshall (The Ghosts in Our Machine), the film follows pioneering food scientists who are risking everything to bring their product to supermarkets and restaurants in the near future. This timely character-driven documentary focuses largely on former Mayo Clinic Cardiologist Dr. Uma Valeti, co-founder and CEO of American start-up company Memphis Meats. In 2016, Valeti and his team unveiled an $18K /lb meatball. At the forefront of the industry, Memphis Meats has attracted tens of millions of dollars in investment from billionaire influencers and corporate food giants. Their confidence is buoyed by the plummeting price of the product-in-progress.There are salivating moments as well, as top-ranked chefs perform their magic on the meat-of-the-future.Says director Marshall “The future of cell-based meat is unknown, but its revolutionary promise and journey into the world is a powerful story that I believe will stand the test of time.”
I hope you guys are safe and keeping well. I have some thoughts that I would like to share. I hope this post doesn’t offend you, if so I gently apologize in advance.
In the last few days, I have been reading Facebook posts, tweets etc. about what is happening in the U.S.. It’s beyond horrible, sad and infuriating. Aubrey, Christopher, George, Breonna are just a few casualties. I have also been thinking about all the countless others who have been erased over the years who never benefitted from the battle cry coming out of the U.S. in the moment.
I am not Black. I am not Indigenous. I would define myself as South Asian, able bodied, heterosexual woman, Catholic and yes, extremely privileged.
I cannot speak for Black and Indigenous people – nor should you. If you are a White person, I would gently ask that you do your research and make some time to understand the privileges you own. It’s not about just saying it in a Facebook post because you don’t want to be silent. Do the work and understand what disrupting White supremacist agendas really means. Yes, we are dealing with White supremacy here.
Some of my friends know the following story, but I thought I’d share it with you. I applied for my Masters two years ago and did not get in because my Undergraduate grades were too low. I completed my Undergraduate degree when I was 23. I was 44 when I applied for my Masters. When I received the letter of rejection, I made a decision to appeal the decision. No one tells me no. After weeks of back and forth emails, the university provided me with an interview with a panel of three scholars.
The interview date came and I was sat in front of three scholars, a Black male, a White woman and a South Asian woman whom were all Canadian. The questions they asked me consisted of, “What was happening to you at 23 for your grades to have been so low?”, “Are you sure you really want to do your Masters at 44?”, “You know, we just don’t give out spots for a Masters program” and “We can’t give you any funding.” I felt worn down, embarrassed and humiliated with the process but I leaned into it. I wanted to earn my Masters degree that bad. The university relented and gave me a spot. They also told me because I advocated for myself, they would be pulling all the other applications that didn’t get in because of their grades and re-evaluate them. I broke down. It was a powerful moment.
For the last two years, I worked full time as a Counsellor and taught part time at a local college so I could pay for my tuition and mortgage. It wasn’t easy, but I did it. I am also keenly aware that even as a person of colour, I have profited from Black and Indigenous individuals whose activism in Canada paved the way for me to have a platform to advocate for myself. There are many Black and Indigenous individuals out there that are deserving of a Masters degree but because of oppressive systems, intergenerational trauma etc. they are unable to attain those goals. I have taken from them and I have to give it back to both of those communities.
Canada is extremely racist. Colonialism is embedded within child welfare, schools, the legal system and health care systems, which force assimilation into Euro-Western paradigms. We all benefit from systemic racism, yes even if you are a person of colour. All of us. Black and Indigenous people do not have those same privileges.
I don’t have all the answers. Racism affected me as a youth, it affected my graduate studies enrollment and it continues to affect me on the streets of Toronto. That said, I am able to weave my identity between White and coloured spaces and use it for my benefit while oppressing others. There it is, and I am a person of colour. Black and Indigenous people do not have that same privilege.
If you want to learn more, I encourage you to read up on anti-oppression and anti-racism in Canada.
Two books that I recommend as starting points are:
White Fragility: Why It’s So Hard for White People to Talk About Racism
State Violence in Canada from Slavery to the Present
Thanks for listening.
After five years in the foster system, eighteen year old Emilie Andrea returns to her family home to rebuild a fractured relationship with her mother and younger half-siblings. Over the next two years a determined Emilie begins to heal the trauma that haunts her, learns to speak her truth aloud, and takes her first steps towards a self-determined future. Now Emilie must gather the courage to reveal to her half-siblings the reason their father was imprisoned and their sister went away. Told with a commitment to emotional insight and dedication to Emilie’s subjective experience, this is the story of an extraordinarily courageous young woman on the cusp of adulthood finding the voice that was long denied to her.
When a peace agreement between the FARC rebel movement and the Colombian government looks like it will put an end to half a century of conflicts, 30-year-old Yira visits her mother Ruby in Colombia after spending 10 years in exile in Cuba. Now a mother herself, Yira wants her mother to join her in exile in Canada, so she can give her daughter the family she never had. With a neglected childhood in the shadow of her parents’ political struggles and persecution, Yira confronts Ruby, who is unable to let go of her political ideals to choose her family. It is not just Yira’s childhood that has been sacrificed, Ruby has also sacrificed her own life and safety to such an extent that she must be constantly protected by armed guards. As the peacetime death toll continues to rise, Ruby is faced with a difficult dilemma. If she chooses her daughter, she gives up on her people.
On Lake Maracaibo, beneath the mysterious silent Catatumbo lightning, the village of Congo Mirador is preparing for parliamentary elections. For streetwise local businesswom- an and Chavist party representative Tamara every vote counts, fought by all means, while for opposition-supporting teacher Natalie, politics is a weapon unsuccessfully attempting to force her from her job. And with her sharp eyes, little Yoaini sees her community sinking from sedimentation, her childhood and innocence with it. How can a small fishing village survive against corruption, pollution and political decay – a reflection of all the flaws of contemporary Venezuela.
Nowhere is the worldwide erosion of democracy, fueled by social media disinformation campaigns, more starkly evident than in the authoritarian regime of Philippine President Rodrigo Duterte. Journalist Maria Ressa places the tools of the free press—and her freedom—on the line in defense of truth and democracy.
iHUMAN made its World Premiere at IDFA 2019, and is a thrilling look at the current state of Artificial Intelligence. Hearing firsthand from the leading pioneers on the front lines of this revolution, iHUMAN asks: How this technology is being developed and implemented, and investigates the dilemmas experts face as they drive this technology forward? As machines start to develop and think on their own, award winning director Tonje Hessen Schei asks the question – What is at stake when a few corporations and governments lead the defining experiments of Artificial Intelligence?
The latest documentary feature by director Laura Gabbert (City of Gold, No Impact Man, Sunset Story), Ottolenghi and the Cakes of Versailles unveils the collaboration between the Metropolitan Museum of Art in New York and global food sensation Yotam Ottolenghi in their retelling of the rise and fall of Versailles through pastry. Through the discerning and careful eyes of Ottolenghi, a deeper understanding of our world is revealed through food.
Seven months after helping her terminally ill mother have a “good death” in home-hospice, filmmaker Judith Helfand becomes a “new old” single mother at 50. Overnight, she’s pushed to deal with her stuff: 63 boxes of her parent’s heirlooms overwhelming her office-turned-future-baby’s room, the weight her mother had begged her to lose, and the reality of being a half century older than her daughter. Told in the first person, in deep consultation with the past — as in 25 years of family footage — LOVE & STUFF explores the transformative power of parenting, our complex and very emotional attachment to stuff, and what it is we really need to leave our children.
It’s the most famous whisper in American history. During a press event in a second-grade classroom at Emma E. Booker Elementary School in Sarasota, Florida, White House Chief of Staff Andy Card walks up to President Bush and whispers: “A second plane has hit the second tower. America is under attack.” The imagery of the President on camera at the exact moment he learns of a major attack on the country, while in front of a classroom of six- and seven-year-olds, is surreal to watch, even today. These are the final moments of innocence, right before the storm. Now in their mid-20s, those kids, who bore witness to the very moment a new American reality was born, offer a fascinating window into post-9/11 America. Some have joined the military or started their own businesses, while others have fallen on hard times. They are the generation of Google, smart phones and Facebook, but also cyber-bullying, global terrorism, and climate change. 9/11 Kids is the untold story of those students and provides a window into some of the most vital themes of the American experience.