Author Archives: thirtyfourflavours

About thirtyfourflavours

Canadian Girl. Leo. Lifestyle Blogger. Arts & Culture Dabbler. Music Genie. Book Lover. Fashion Connoisseur. Travel Gypsy. MUFC Supporter. Total Sweetheart.

The Toronto Symphony Orchestra presents the Pops Series with the “Queens of Soul” (May 7 & 8, 2019)

Now that the winter is over, pack your parkas away and get ready to breathe in the spring’s vibe with the Queens of Soul at The Toronto Symphony Orchestra. The Toronto Symphony Orchestra presents three fabulous singers in a program of hits made famous by the legendary divas of soul and R&B. Think Aretha Franklin to Alicia Keys!

Check out the full program for the Queens of Soul and grab your tickets soon:

Tuesday, May 7, 2019 at 8:00 pm

Wednesday, May 8, 2019 at 2:00 pm & 8:00 pm

Jeff Tyzik, conductor

Queens of Soul

Shayna Steele, vocalist

Melissa McMillan, vocalist

Brie Cassil, vocalist

FOGERTY/arr. Tyzik: “Proud Mary”  [5′]

WARREN/arr. Tyzik: “At Last”  [5′]

HULL/arr. Tyzik: “New Attitude”  [4′]

WEATHERLY/arr. Tyzik: “Midnight Train to Georgia”  [4′]

GAMBLE/arr. Tyzik: “Don’t Leave Me This Way”  [3′]

ADKINS/arr. Tyzik: “Rolling in the Deep”  [4′]

KEYS/arr. Tyzik: “Fallin’”  [3′]

ALICIA KEYS: /arr. Tyzik: “Girl on Fire”  [3′]

WHITFIELD/arr. Tyzik: “I Heard It Through the Grapevine”  [6′]

BRITTEN/arr. Tyzik: “What’s Love Got To Do With It”  [3′]

MERRILL/arr. Tyzik: “I Wanna Dance With Somebody”  [3′]

KING/arr. Tyzik: “Will You Still Love Me Tomorrow”  [3′]

WINEHOUSE/arr. Tyzik: “You Know I’m No Good”  [4′]

ADKINS/arr. Tyzik: “Hello”  [4′]

REDDING/arr. Tyzik: “Respect”  [2′]

SHANNON/arr. Tyzik: “I Never Loved a Man (The Way I Love You)”  [2′]

COHEN/arr. Tyzik: “Freeway of Love”  [5′]

KING/arr. Tyzik: “(

Mike’s Murder at The Royal Cinema in Toronto – Friday, Apr 26 – 8:00pm (EXCLUSIVE)

The Royal Cinema is celebrating 4 years of the Neon Dreams Cinema Club with a rare screening of a 35mm print of MIKE’S MURDER, secured for by Debra Winger herself! Yay, Debra! Doors at 7pm, pre show at 7:30pm, intro and the film at 8pm.

Neon Dreams Cinema Club: MIKE’S MURDER (35mm!)


Ticket Giveaway: The Hot Docs Canadian International Documentary Festival Ticket Giveaway! #HotDocs19 @hotdocs


Every year Hot Docs Canadian International Documentary Festival gets better and better!   This year the film festival is jam packed with the most diverse, emotional and enlightening films yet.  If you haven’t been – don’t miss out this Spring!

Thank you to our friends at Hot Docs Canadian International Documentary Festival for gifting Thirty Four Flavours with a stack of #HotDocs19 tickets to get you out there in the sun and ready to catch some wonderful documentaries! Yes, FREE Hot Docs 2019 Tickets!

What are the rules when entering the Thirty Four Flavours and #HotDocs19 Ticket Giveaway?

Simple! Please sign up to Thirty Four Flavours Facebook, Twitter, or email subscription to enter the draw. When you have signed up please send me a Facebook message, a tweet or email ( telling me which #HotDocs19 Ticket Giveaway films you are interested in listed below. The films that follow are pretty special and will be sure to move and inspire you.

Deadline for the Thirty Four Flavours and #HotDocs19 Ticket Giveaway is Tuesday April 23, 2019.


D: Alessandro Cassigoli, Casey Kauffman | Italy

80 min

Surviving a broken home on the roughest streets of Naples, an 18-year-old girl spectacularly rises to become Italy’s first female Olympic boxer. But when the spotlight fades after the 2016 Rio Games, is she strong enough to fight for herself?

MON, APR 29 9:45 PM TBLB



D: Andrijana Stojković | Serbia | 60 min

When one of his beloved dingoes falls gravely ill, a reclusive Serbian-Australian writer in Melbourne delves into painful memories and his life’s work, revealing a personal tragedy that speaks to Australia’s colonial past.

Screening with

The Woman, The Man and a Dog

D: Andrés Navarrete | Ecuador | 19 min




D: Jason DaSilva | USA, Canada | 79 min CC

Recently divorced, the filmmaker attempts to relocate closer to his young son, but confronts the harsh inequity of the US Medicaid system, which would prevent him from accessing the care he needs to live while battling advanced multiple sclerosis.




D: Tonislav Hristov | Finland | 85 min

Armouring herself with a fairy-tale alter ego through live-action role play, a young woman cannot let go of memories of childhood abuse until she’s ready to step out of her elaborate fantasy world and face the real monster from her past.




D: Pia Hellenthal | Germany | 84 min

Refusing to fix her own identity and career in permanence, the enigmatic protagonist of this thoroughly millennial character study proves through selfies, sex scenes and social media that online, you can be everything and nothing at once.




D: Ian Cheney, Martha Shane | USA | 84 min

Explore the evolution of emojis, the colourful and creative pictorial language that surged from a simple set of icons to a swiftly evolving linguistic phenomenon that is reshaping how we communicate.


Happy Hot Docs Film Watching!

The Art Gallery of Ontario presents the Infinity Mirrored Room – “Let’s Survive Forever” from Yayoi Kusama (Opens May 25, 2019)


Yayoi Kusama’s work has transcended two of the most important art movements of the second half of the twentieth century: pop art and minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes.

Born in 1929 in Matsumoto, Japan, Kusama’s work has been featured widely in both solo and group exhibitions. She presented her first solo show in Japan in 1952. In the mid-1960s, she lived in New York where she became an important avant-garde artist by staging groundbreaking and influential happenings, events, and exhibitions. In 1965 Kusama produced her first Infinity Mirror Room. Building on the repetition found in her paintings and sculptures, this artwork used mirrors to create an illusion of infinite space. Since then Kusama has made more than 20 unique rooms.

She returned to Japan in 1973. Her work gained widespread recognition in the late 1980s following a number of international solo exhibitions, including shows at the Center for International Contemporary Arts, New York and the Museum of Modern Art, Oxford, England, which both took place in 1989. She represented Japan in 1993 at the 45th Venice Biennale to much critical acclaim. At age 90 Yayoi Kusama continues to produce interactive, infinity-like spaces, as well as paintings and sculptures.



For more than 60 years, Japanese artist Yayoi Kusama (born 1929) has invited people to participate in her groundbreaking visions of infinity. Over the past three decades, this prolific experimental artist has become an internationally acclaimed art-world icon, with work presented across the globe.

INFINITY MIRRORED ROOM – LET’S SURVIVE FOREVER features mirrored spheres suspended from the ceiling and arranged on the floor. A mirrored column inside the room invites visitors to peer into a seemingly infinite field of silver orbs.

Thanks to the generosity of the David Yuile & Mary Elizabeth Hodgson Fund and over 4,700 #InfinityAGO donors who participated in the AGO’s ambitious crowdfunding campaign, Yayoi Kusama’s INFINITY MIRRORED ROOM – LET’S SURVIVE FOREVER is now a part of the AGO Collection.




The Canadian Opera Company presents Mozart’s “Così fan tutte” at the Four Seasons Centre for the Performing Arts (February 5, 7, 9, 13, 15, 17, 21, 23, 2019)


Audiences get a lesson in love when Mozart’s Così fan tutte (or The School for Lovers) returns to the Canadian Opera Company stage in 2019. The outlandish comedy follows two couples whose loyalty is put to the test by a meddling mentor looking to prove that all is fair in love and war. The stakes are set, a wager is made, and as sisters Fiordiligi and Dorabella land squarely in temptation’s crosshairs, their fiancés soon learn the steep price of truth at any cost. Così fan tutte runs for eight performances on February 5, 7, 9, 13, 15, 17, 21, 23, 2019.
The performance greets the audience with a gorgeous screen depicting ‘The Two Frieda’s’ (Las dos Fridas) painting by Frieda Kahlo. This painting was completed shortly after her divorce with Diego Rivera. This portrait shows Frida’s two different personalities. One is the traditional Frida in Tehuana costume, with a broken heart, sitting next to an independent, modern dressed Frida. In Frida’s dairy, she wrote about this painting and said it is originated from her memory of an imaginary childhood friend. Later she admitted it expressed her desperation and loneliness with the separation from Diego.
In this painting, the two Fridas are holding hands. They both have visible hearts and the heart of the traditional Frida is cut and torn open. The main artery, which comes from the torn heart down to the right hand of the traditional Frida, is cut off by the surgical pincers held in the lap of the traditional Frida. The blood keeps dripping on her white dress and she is in danger of bleeding to death. The stormy sky filled with agitated clouds may reflect Frida’s inner turmoil.
Canadian stage and screen director Atom Egoyan takes his cue from the opera’s subtitle, framing the opera in a school where love is a subject meant to be examined, dissected, and manipulated. Similar to that of Kahlo’s painting we see the dissection of a love affair between the characters within a school setting ripe for over analyzing, curious students and drama.

There are echoes of ‘go big or go home’ in this performance. Think larger-than-life set pieces that dominate the space, including a large curio cabinet, giant pinned butterflies along with the replica of Frida Kahlo’s self-portrait, Las dos Fridas that will linger in your mind throughout the performance. A true pop up experience that blooms colour into a dreary and chilly winter outside.
Be sure to enjoy the two fast-rising Canadian stars sing the roles of the two sisters. Soprano Kirsten MacKinnon sings Fiordiligi, a role to which she recently brought “the high notes and the low notes…and everything in between” (The Guardian) at the Glyndebourne Festival. International award-winning mezzo-soprano and recent Ensemble Studio graduate, Emily D’Angelo, brings her “vivacious and nimble” voice and “arresting vulnerability” (New York Times) to her role debut as Fiordiligi’s sister, Dorabella.
These women bring out the sauciness in Fiordiligi’s and Dorabella. The fun, flirtation and frivolity are provocative and allows you no opportunity to take your eyes off them. School uniforms, knowing glances and a provocative innocence draws cheeky winks to Egoyan’s “Exotica” film.
American tenor Ben Bliss and German baritone Johannes Kammler make their COC debuts as the sisters’ fiancés, Ferrando and Guglielmo; Bliss as Ferrando. These gentlemen created a space for humour, respites to wonder what their next move will be and provide a vulnerable depth to the innocence as seen in the sisters.

Notable Canadian baritone Russell Braun makes his role debut as Don Alfonso, the instigator at the heart of the opera’s conflict. A true powerhouse with dalliances of darkness. Canadian soprano Tracy Dahl reprises the role of Despina. A true comedienne with the control of an opera veteran.
Lastly, internationally acclaimed conductor Bernard Labadie returns to lead the COC Orchestra through what is often described as Mozart’s most perfect score. Price Family Chorus Master Sandra Horst leads the COC Chorus through the work’s stunning ensemble numbers.
Be sure, to catch “Così fan tutte” before the performance closes. It will sure to enlighten your love affairs in the lead up to Valentine’s day and also pause to reflect on the loves that you have won and lost.
TICKET INFORMATION Single tickets for Così fan tutte range from $35 – $250 with Grand Ring seats available at $290 and $350. Tickets are on sale now, available online at, by calling 416-363-8231, or in person at the Four Seasons Centre for the Performing Arts Box Office (145 Queen St. W.). For more information on specially priced tickets available to young people under the age of 15, standing room, Opera Under 30, student groups and rush seating, visit

The Canadian Opera Company presents “Elektra” at the Four Seasons Centre Performing Arts (January 26, 31, February 6, 10, 12, 16, 22, 2019)

Richard Strauss’ twisted psychodrama, Elektra, returns to the COC stage with commanding star soprano Christine Goerke in the title role. Rooted in classic Greek tragedy, the one-act opera is an expressionist take on the ultimate tale of family dysfunction: Elektra’s lust to avenge her father’s murder at the hands of her mother and her mother’s lover. Fury and obsession spiral into horrific consequence as Elektra careens down a path of total destruction, all set to an unrelenting modern score. Elektra runs for seven performances on January 26, 31, February 6, 10, 12, 16, 22, 2019.

If you are new to opera and want a taste of Strauss at his best and with some brevity (by Opera standards), Elektra is for you. The set design from Derek McLane’s and his stark aesthetic mirrors characters’ raw emotions and impulses. Costume designer Anita Stewart and lighting designer Mimi Jordan Sherin add to the nightmarish world onstage with lurid colours and design elements influenced by the art of Francis Bacon and Edvard Munch.


Elektra is bloody, intense with a heart pulsing drama that spews dashes of excruciating howls for good measure. Thankfully the Canadian Opera Company landed the rock star of opera in the incomparable Christine Goerke who shook the Metropolitan Opera with “the thrilling power of her voice” (New York Times) as their Elektra last season. Goerke’s performance will destroy even the most seasoned opera fan.  She embodies a verve that is demonstrative of her years of experience and is guaranteed to make you want to see more of her in the future.  No matter what the price.  Think trail blazer.  Think icon.

Canadian soprano Erin Wall is Elektra’s sister, Chrysothemis; she returns to the COC after a “sublime” (Chicago Tribune) performance in Idomeneo. Wall is soul crushing in her approach and will make you yearn for more. The athleticism witnessed by the likes of Goerke and Wall is truly a feat. These women are at the top of their professional game.  Don’t be saddled with a FOMO.

British dramatic soprano Susan Bullock brings her “formidable focus and power” (Financial Times) to the role of Elektra’s conniving mother, Klytämnestra, while German bass Wilhelm Schwinghammer makes his COC debut as her brother, Orest. Canadian tenor Michael Schade rounds out the cast, bringing his “crystal-clean intonation” and “even, forward-placed legato” (OperaWire) to Klytämnestra’s lover – and conspirator – Aegisth.

Strauss’ frenetically charged score forms the backbone of the opera, pressing the action forward to its grisly end and COC Music Director Johannes Debus leads the COC Orchestra in rising to the challenge. All performances of Elektra feature the COC Chorus, led by Price Family Chorus Master Sandra Horst.

Take some time out this winter season to explore all that the Canadian Opera Company has to offer.  They will be sure to keep you warm and toasty.

Elektra is sung in German and presented by the COC with English SURTITLES™.

The Toronto Symphony Orchestra presents “Star Wars: A New Hope” (Wednesday January 23 – Saturday January 26, 2019) at Roy Thomson Hall


Be sure to catch Star Wars ‘A New Hope’ at Roy Thomson Hall for the ultimate pop up symphonic experience this upcoming weekend. New experiences are so important and being able to watch George Lucas’ epic ‘A New Hope’ on a big screen with the Toronto Symphony Orchestra playing the musical score underneath the film is not only nostalgic but it is also heart warming on a chilly winter’s night.

The Toronto Symphony Orchestra gleams “John Williams has become one of America’s most accomplished and successful composers for film and for the concert stage, and he remains one of North America’s most distinguished and contributive musical voices. He has composed the music and served as music director for more than 100 films, including all eight Star Wars films, the first three Harry Potter films, E.T. The Extra-Terrestrial, Jaws, etc.” He’s a giant when it comes to musical scores and well worth the ticket price to listen to his gorgeously composed music as performed by the likes of the Toronto Symphony.

Conductor, Sarah Hicks, is “noted in The New York Times as part of “’a new wave of female conductors in their late 20’s through early 40’s,” Sarah Hicks’s versatile and vibrant musicianship has secured her place in “the next generation of up-and-coming American conductors’ according to the Toronto Symphony Orchestra”. She arrived onto the stage with a green light saber and was ready to demonstrate her conducting eloquence to an audience who was ready to roll out the welcome rug.  Hicks took charge of an emotional, energetic and beloved musical score without skipping a beat.

Be sure to catch one or all of the next Star Wars “A New Hope” performances this weekend. Don’t worry about snacks, popcorn and pints – The Toronto Symphony Orchestra will keep you toasty.  May the force be with you.

Wednesday, January 23, 2019 at 7:30pm

Thursday, January 24, 2019 at 7:30pm

Friday, January 25, 2019 at 7:30pm

Saturday, January 26, 2019 at 7:30pm